Lynching
in America

Made with EJI with support from Google

A multidisciplinary storytelling project that helped the public understand the lasting impact of racial terror in the modern world.

AT-A-GLANCE

WHAT WE DID

Development
Showrunning
Production
Post Production

Film
Book
Interactive
Podcast
Photo Essays
Data Visualizations
Museum Installation

PROJECT OVERVIEW

Bryan Stevenson and the Equal Justice Initiative uncovered the lynchings of over 4,000 African Americans between abolition and the Civil Rights movement and published them in a landmark academic report.

With support from Google, our team approached EJI about telling the human stories behind the research to the broadest audience possible–an extension of the organization’s mission to change the narrative around race in America.

A woman with glasses and earrings, wearing a black top and green cardigan, stands in front of a wall of black boxes on wooden shelves, with label numbers from 176 to 316, in a room that appears to be a library or archive.

“Slavery didn’t end in 1865. 
It evolved.”

BRYAN STEVENSON, EXECUTIVE DIRECTOR, EQUAL JUSTICE INITIATIVE

OUR SOLUTION

Driven by the insight that different storytelling mediums appeal to different people when dealing with difficult subject matter, our team of filmmakers, writers, designers, content strategists, and technologists wove together a multidisciplinary tapestry of film, photography, podcasts, interactive experiences, educational initiatives, and museum exhibitions.

A laptop, tablet, and smartphone display content related to social issues in America. The laptop shows a map of Alabama with lynching reports, the tablet displays a group of women with the word "UPROOTED," and the smartphone shows a woman with a quote about her family fleeing the South.

THE STORIES

To craft the stories at the heart of the project, we worked closely with EJI and the descendants of four lynching victims whose personal histories conveyed the impact on their families over 100 years later–as well as a man who was exonerated after 30 years on death row.

Woman with short curly hair wearing a beige turtleneck sweater standing outdoors in a suburban neighborhood during daylight.
An elderly woman sitting at a table with peaches and nectarines, wearing a beige sweater and a beaded necklace, with a calendar in the background.
Man with gray beard and short gray hair looking at a mirror with various personal care products on a dresser
Woman in a green dress standing outdoors in a wooded area

PHOTO ESSAYS

Photographers Andre Wagner, Melissa Bunny Elian, Kris Graves, Raymond Thompson, Rog Walker, and Bee Walker teamed up with writer Allison Davis to bring to life the stories of the generations affected by lynching. 


We created a collection of audio driven photo essays, as well as a printed book.

A webpage titled "Lynching in America" displaying stories about racial violence. The main section shows a man in a beige shirt standing outdoors under a tree, with a quote attributed to James Johnson: "I had a lot of whys, but no one would give me the answers." There are options to listen to stories via various platforms, and links labeled "Hear His Story" and "Hear Her Story."
Book titled "Lynching Legacy" with a black cover, placed on a wooden surface.
A close-up photo of an elderly woman with gray hair, wearing a beige top, beaded necklace, and earrings, sticking her tongue out.

DOCUMENTARY FILM

A short documentary, Uprooted, told the story of one family’s journey back to the south, 100 years after the lynching of their great grandfather.

INTERACTIVE DATA VIZUALIZATION

Telling stories through data helped the public understand the human scale of this tragedy, both online and at in-person events.

Map of the United States showing locations of reported racial terror lynchings by county, with color-coded density levels from 1 to over 20
A person pointing at a digital map of Louisiana highlighting Orleans Parish reporting 14 lynchings.
Visitors examining an interactive digital display table in a museum exhibit, with people and exhibits visible in the background.

INTERACTIVE DATA VIZUALIZATION

The interactive site lynchinginamerica.eji.org brought all of these elements together into one fluid experience and allowed for maximum reach at launch. 

RESULTS

The entire project was designed to create an impact in culture, so our launch was built around activating these stories across social, press, and the arts. 



MUSIC COLLAB

We approached Grammy and Golden Globe Winner Andra Day about reimagining Billie Holiday anti-lynching classic, Strange Fruit. The song and the music video helped extend awareness of the project into popular culture, paired with a press push and features on The Daily Show with Trevor Noah.

Three news anchors sitting at a desk during a broadcast, with a sunset and cityscape background on a large screen behind them.

MUSEUM

The project culminated in a three month exhibit at The Brooklyn Museum, titled ‘The Legacy of Lynching: Confronting Racial Terror in America’, where the photographs, films, and stories from our project were shown alongside artwork from seminal artists like Kara Walker, Sanford Biggers, and Glenn Ligon.

Museum exhibit titled 'The Legacy of Lynching: Confronting Racial Terror in America' with visitors viewing displays inside a dark room.
People viewing large art pieces in a gallery, with one artwork showing a partial portrait of a person's face.
Panel discussion at Brooklyn Museum with four panelists on stage in front of a large screen displaying event information. Audience seated in front.

RESULTS

EJI found that the project brought these long-hidden truths into the public spotlight in a major way, sparking conversations and fostering a deeper understanding of our shared past.

Google saw that their support of the initiative and the impact it made created the most inexpensive cost per lift and reach of any campaign they ran that year. This demonstrated the tangible benefits of telling stories in alignment with the brand’s core value of access to information.

The project was covered in The New York Times, The Guardian, Huffington Post, AV Club, and many more.

We crafted over 150 assets for a months long social campaign that saw a massive outpouring of support from notable figures across the country – from Ms. Lauryn Hill to Deepak Chopra, Samuel L. Jackson and Ryan Gosling, to name a few.

We also had the backing of civil rights leaders at organizations like Color of Change and NAACP, who activated the project through their own channels.

Perhaps the most gratifying and impactful part of this project is the comprehensive curriculum created to bring this history and these stories into classrooms across the country. We partnered with a PHD African American studies professor to create curriculum at every grade level from middle school to university–and took it to education conferences to get teachers on board.

And the engagement, impressions, and impact numbers don’t lie.

Impact & Recognition

4.75 Million

Video Views

1.3 Million

Site Visits

102,000

Event & Museum Attendees

540 Million

Impressions across content & campaign

Webby
Winner

Webby for Good

People’s Voice


Best Cause Related

Campaign

Cannes Lion

Digital Craft
Bronze

120 Press Stories

Including the New York Times, The Daily Show with Trevor Noah, and more.

97,000 Posts

Related to EJI / Google Content

CREDITS

Creative Directors

Rebecca Sills & Nico Carbonaro

ECD

Michael Tabtabai

Story Producer & Writer

Allison Davis

Executive Producer

Eloise Harper Connolly

Producer

Jon Campbell

Ben Lebovitz, Andrew Braswell, Kendall Henderson, Francis Almeda

Design

Interactive Producers

April Ayala, Blake Davidoff

UX

Christine Cruz

Film Directors

Allison Davis & Nico Carbonaro

Cinematographers

Shawn Peters, David McMurry

Photographers

Rog & Bee Walker, Raymond Thompson, Melissa Bunny Elian, Andre Wagner